Marc Fumaroli
This text can be downloaded from the site Catallaxia .
• Reprinted Point, March 29 and April 5, 2002
• Response Philippe Dagen, " ; the Gazette castles, April 12, 2002
• Response Fumaroli Marc Philippe Dagen, 12 April 2002.
Jack Lang and the early 1980s: a desire for democratization
• Develop public and allow everyone to appropriating culture
- Celebrations
- Openness to other practices: a broadening of the concept of culture (rock, comics, rap, tag)
• Develop supply
- More grants
- ; decentralizing and
- Go through the economic report and accept the principle of cultural industries
Marc Fumaroli
• Born in 1932
• ; Professor at Paris IV, then, in 1986, Collège de France
• 1991, The State Cultural
• 1995, French Academy
• 1996, President Society of Friends of the Louvre.
Quotes from article
"We subsidize the preferred alternative spaces, wastelands, squats arts, multidisciplinary projects, the emergence of a laboratory a new relationship between art and society. These changes meet the expectations of art and the desire of people excluded from the culture. "(Michel Duffour)
"To access the" culture "people who are excluded, we must create in their use of no-man's land to meet their" hold "and call" art "that which may a little more feral, and disoriented! This kind of official belching from the same barrel as the pseudo-sociological reasoning by which it has in the years before 68, the effective stigmatized social ladder and integrator of Education, calling it a "reproduction ; [...] "
"Everywhere, Los Angeles and Tokyo as in Paris, we meet a rich snobs, economically and emotionally right from left, who feel an overwhelming need to fund" alternative spaces "."
"Paris is a feast. The love of work well done and the passion for beauty, ancient and modern, are too deeply rooted to submit willingly to loggers in the forest of Gastine.
"... The hierarchs 'cultural' right and left stood silent. Their interests are common, their program is similar, their languages wood copulate, their clienteles overlap. The important thing for them is to persevere in the non-conqueror be. "
"Things can turn round slowly, in the" reserved area "of a very small community accomplice Mondano-politico-cultural, accompanied by few journalists themselves exercised at the semi-silence law. "
"Just as the College de France symbolizes Public Education Humanities and Sciences, the Louvre is the emblem of the eyes of all of France Arts .
"The Louvre is the heir par excellence of the old French tradition of state education and cultivated, modest in its ambitions to dictate to all the French taste the same, but ambitious in its will base the taste of the French. "
"It is clear that, far beyond the dispute, apparently obscure and minor, including the Louvre is the issue, the looming possibility, however improbable, to which people stand in place of the four chains, a popular and modern heritage policy, extended to the entire territory of which the state perfectly clear merits but also the excesses of modernity, would take the will and means, while allocating the abundant competition of private wealth. "
"under the generic name of democracy populations leveled dazed and in a quarter-globalized world lend themselves quietly in their favelas, a multidisciplinary cultural patronage: carnival, theater and street festivals, "arts", ethnic crafts, raves, Dual gang and trafficking drugs. The American language has three words for this sharp humanity reduced to its smallest denominator by an oligarchy of false gods: garbage, trash and radical chic. "
The Third Republic: an important period for art
• a very liberal policy,
- voluntary restraint of the role of the state
- social order and national unity
• Give a chance to all
• Paris Capital of Art
- Education - School Republic
- Heritage conservation
- Art for the market
- First place on the art market
- The success of the salons and the Impressionists
- The Caillebotte bequest
- ; An ailing situation after the Second war
• For performing arts, a more difficult situation:
- Success Boulevard
- ; Difficulties theater copyright
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